This gives the impression that women, no matter how 22 Dar el Ghezlane, Episode 1 www. Hanae smilingly grabs the note and watches Anis leaving with admiring looks on her face. However, after Karima leaves the room Mounia reverts to her former state which shows how difficult it is to change some mentalities and that sometimes affection can blind people from such egalitarian considerations. It appears that the people of the house were preparing for a special occasion. She then started to tell Rhimou how much she is fond of her out of all her sisters. The second part of this paper consisted of an analysis of the images of women through two examples of Moroccan series.
Analysis of the Images of Women 1. Mennana, Sfiya and Chama Episode 1, He complains that the water ruined his new shoe and Chama says that the shoe does not appear to be a new one at all. Ismail and Amina Episode 1, This gives the impression that women are living under emotional oppression and consequently are in a sense waiting for the moment in which they would be liberated to experience their romantic escapades freely which is an inaccurate representation of the women because they do not all live under the same circumstances. Youssef and Mounia Episode 1,
Enter the email address you signed up with and we’ll email you a reset link. Rhimou was surprised to discover, mnzna the first time, that their father used to smoke a pipe.
bnat lala menana ep 29 | Fantastique
She is portrayed as a character that does not shy away from expressing her opinions and demanding her rights in the public sphere even in a community where such a behavior is frowned upon. They are portrayed as showing one face to people and talking bad about them in their back. After looking at her face, Hajj shouts at her because apparently she was wearing make-up. The Hajj, an important man in his eoisode, is portrayed as the typical rural man. Morocco owns 9 free channels, seven of which are owned by the government, one that is privately owned Medi1 TV and one that has mixed ownership 2M 1.
She closes the pot and confronts her, asking her what she is doing there.
Hanae and introduces pala. Skip to main content. This perpetuates the idea that even if a woman has reached the peak of her career and is financially independent and highly educated she is still susceptible to the tricks played by men.
Bnat Lalla Mennana- épisodes 28 & 29 part 1-2
This is uncannily 23 Dar el Ghezlane, Episode 1 www. The first series is Bnat Lalla Mennana which was elected as a practical example of the traditional way in which women are depicted. By telling Youssef 28 Dar el Ghezlane, Episode 1 www. She checked some of the photos in the album and set it aside, the last item that she found in the box was a letter.
The scene shows how mentalities are difficult to change in rural areas where women have internalized their subordination to men and mnxna roles as housewives and nurturers. Log In Sign Up.
Bahia in the Father’s Room Episode 1, Anis, then tries his last trick as he asks Dr. One of the women, Amina who is played by Noura Skalli, complains to her husband about the unpleasant smell there and sarcastically wonders if there was no water or soap around for people to smell that bad. Karima is still wearing manly clothes and her father shouts bnwt her saying that 27 Dar el Ghezlane, Episode 1 www.
The Hajj asks about the whereabouts of his two girls and the maid replies that Mounia is in her room while Karima is out. This is exemplified when Sfiya sobs lxla her granddaughters and blames their mother in front of them for putting their father through a lot of misery. He asks the maid where Karima is, when laa latter tells him that she is in her room he asks her to call her in order to say Hi to Rachid.
Bnat Lala Mnana – Ep 2 – Ramadan – بنات لالة منانة – الحلقة الثانية – Youtube Download
Analysis of the Images of Women 1. Ismail and Amina Episode 1, In addition to that, the male doctor was shown as having the upper hand by having her agree to escort him to a date despite the fact that they have only known each other for a few minutes, this further confirms the idea bnar women are easily manipulated by men and this scene in fact reinforces this and portrays sexual harassment as something normalized in the work place and that women are fine with it.
He, with a belt in his hand, blames her for embarrassing him in front of the villagers and Mounia tries to calm him. Although met with some resistance, the scene gives the impression that rural women can claim their rights and voice their opinions provided that there is someone to raise their awareness and encourage them to pursue recognition and equality.
He says that he does not smell anything bad and that everything is normal and she accuses him of having a nose that does not work properly. They leave him lying in the ground and head for the ceremony. The second series that will be featured in the practical part is Bnta el Ghezlane.
Karima makes it clear that neither him, the belt nor the villagers can keep her quiet. Another aspect of the misrepresentation of women is that they are repeatedly shown in a position where they heartlessly speak about banal things the new fridge in this case or trying to seek personal benefit promoting her merchandize in the most opportune of moments without regard to the personal feelings of others. Anis, played by Oussama Bestaoui, is the new village doctor who represents an educated urban man who is forced to move from a big hospital in order to occupy a position as the new doctor of Dar el Ghezlane.
At the first glance this might seem like an ordinary scene.
Rhimou suddenly enters the kitchen and catches Aicha in the act. Karima confidently declares that they are fed up with silence and that God has given a brain to both men and women and the same blood and that they should fight the darkness that resides in the minds of men.