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There are numerous low-budget visual effects films produced in Ghana, including the science fiction film , and the film Obonsam Besu, also known as Devil May Cry. Emem Isong, a Nigerian producer comments: Several other producers as a result started shooting in cities like Accra, Ghana, channeling the savings into investing in better equipment, many of them trying to get their films onto the big screen. For us it is a good development. Some Ghanaian media on the other hand described the trend as “Brain drain” from Ghana. Films depicting African witchcraft are popular in Ghana, despite criticism being directed towards them. This development sparked media attention; mostly concerns that Ghanaians were taking over jobs meant for Nigerians. Established professional film makers initially met the initiatives of non-professionals and their use of the medium of video with suspicion.

Since the late s a booming video feature film industry evolved in Ghana. Ghanaian actors abroad Around year through , Nigerian filmmaker Frank Rajah Arase signed a contract with a Ghanaian production company, Venus Films, which involved helping to introduce Ghanaian actors into mainstream Nollywood. Twi films are referred to under the sobriquet of being “Kumawood” films, while other Ghanaian films are sometimes known as “Ghallywood” productions. Some Ghanaian media on the other hand described the trend as “Brain drain” from Ghana. It’s been a great partnership so far. While some industry stakeholders such as Bob Manuel were unwelcoming towards the development, others like Mercy Aigbe, Belinda Effah, and Yvonne Jegede saw it as a welcome development; noting that the industry is big enough for everyone, and that other major film hubs across the world also have presence of other Nationalities. History Since the late s a booming video feature film industry evolved in Ghana.

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There are numerous low-budget visual effects films produced in Ghana, including the science fiction filmand the film Mmovie Besu, also known as Devil May Cry.

Films depicting African witchcraft are popular in Ghana, despite criticism being directed towards them. For us it is a good development. While some industry stakeholders such as Bob Manuel were unwelcoming towards the development, others like Mercy Aigbe, Belinda Effah, and Yvonne Jegede saw it as a welcome development; noting that the industry is big enough for everyone, and that other major film hubs across the world also have presence of other Nationalities.

It’s been a great partnership so far. It shows that our actors are beginning to gain prominence and are being accepted worldwide”.

Ghanaian actors abroad Around year throughNigerian filmmaker Frank Rajah Arase signed a contract with a Ghanaian production company, Venus Films, which involved helping to introduce Ghanaian actors into mainstream Nollywood. Some Ghanaian media on movis other hand described the trend as “Brain drain” from Ghana.

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Posted by Webby on However, Ghanaian director Frank Fiifi Gharbin, jovie satisfaction with the development, saying: Since the late s a booming video feature film industry evolved in Ghana. Emem Isong, a Nigerian producer comments: This development sparked media attention; mostly concerns that Ghanaians were taking over jobs meant for Nigerians.

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Several other producers as a result started shooting in cities like Accra, Ghana, channeling the savings into investing in moviee equipment, many of them trying to get their films onto the big screen. Established professional film makers initially met the initiatives of non-professionals and their use of the medium of video with suspicion.

Aanidaso Since the late s a booming video feature film industry evolved in Ghana. Twi films are referred to under the sobriquet of being “Kumawood” films, while other Ghanaian films are sometimes known as “Ghallywood” productions. Yet when they noticed the extraordinary success which these productions had in Ghana and realized that screening these films in local cinemas could generate sufficient funds to sustain a viable video film industry, they also turned to film production in the video format.

Gradually, production networks and systems of distribution flul and since the beginning of the s, each year saw the release of about fifty video movies made by private and GFIC producers.